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?© de, 1799-1850

"The Magic Skin"

In a gothic
boudoir the doors were concealed by tapestried curtains, and the
paneling by hangings; the clock and the pattern of the carpet were
made to harmonize with the gothic surroundings. The ceiling, with its
carved cross-beams of brown wood, was full of charm and originality;
the panels were beautifully wrought; nothing disturbed the general
harmony of the scheme of decoration, not even the windows with their
rich colored glass. I was surprised by the extensive knowledge of
decoration that some artist had brought to bear on a little modern
room, it was so pleasant and fresh, and not heavy, but subdued with
its dead gold hues. It had all the vague sentiment of a German ballad;
it was a retreat fit for some romance of 1827, perfumed by the exotic
flowers set in their stands. Another apartment in the suite was a
gilded reproduction of the Louis Quatorze period, with modern
paintings on the walls in odd but pleasant contrast.
"'You would not be so badly lodged,' was Rastignac's slightly
sarcastic comment. 'It is captivating, isn't it?' he added, smiling as
he sat down. Then suddenly he rose, and led me by the hand into a
bedroom, where the softened light fell upon the bed under its canopy
of muslin and white watered silk--a couch for a young fairy betrothed
to one of the genii.


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