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?© de, 1799-1850

"The Magic Skin"


There is something great and terrible about suicide. Most people's
downfalls are not dangerous; they are like children who have not far
to fall, and cannot injure themselves; but when a great nature is
dashed down, he is bound to fall from a height. He must have been
raised almost to the skies; he has caught glimpses of some heaven
beyond his reach. Vehement must the storms be which compel a soul to
seek for peace from the trigger of a pistol.
How much young power starves and pines away in a garret for want of a
friend, for lack of a woman's consolation, in the midst of millions of
fellow-creatures, in the presence of a listless crowd that is burdened
by its wealth! When one remembers all this, suicide looms large.
Between a self-sought death and the abundant hopes whose voices call a
young man to Paris, God only knows what may intervene; what contending
ideas have striven within the soul; what poems have been set aside;
what moans and what despair have been repressed; what abortive
masterpieces and vain endeavors! Every suicide is an awful poem of
sorrow. Where will you find a work of genius floating above the seas
of literature that can compare with this paragraph:
"Yesterday, at four o'clock, a young woman threw herself into the
Seine from the Pont des Arts.


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