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James, Henry, 1843-1916

"The Aspern Papers"


He gave it to me himself, but I'm afraid to mention his name, lest you
never should have heard of him, critic and historian as you are.
I know the world goes fast and one generation forgets another.
He was all the fashion when I was young."
She was perhaps amazed at my assurance, but I was surprised at hers; at her
having the energy, in her state of health and at her time of life, to wish
to sport with me that way simply for her private entertainment--the humor
to test me and practice on me. This, at least, was the interpretation that I
put upon her production of the portrait, for I could not believe that she
really desired to sell it or cared for any information I might give her.
What she wished was to dangle it before my eyes and put a prohibitive
price on it. "The face comes back to me, it torments me," I said,
turning the object this way and that and looking at it very critically.
It was a careful but not a supreme work of art, larger than the
ordinary miniature and representing a young man with a remarkably
handsome face, in a high-collared green coat and a buff waistcoat.
I judged the picture to have a valuable quality of resemblance and to have
been painted when the model was about twenty-five years old. There are,
as all the world knows, three other portraits of the poet in existence,
but none of them is of so early a date as this elegant production.
"I have never seen the original but I have seen other likenesses," I went on.


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