Women and marriage will never be respected until we have that radical
change in manners which we are now begging for. This profound thought
is the ruling principle in the two finest productions of an immortal
genius. _Emile_ and _La Nouvelle Heloise_ are nothing more than two
eloquent pleas for the system. The voice there raised will resound
through the ages, because it points to the real motives of true
legislation, and the manners which will prevail in the future. By
placing children at the breast of their mothers, Jean-Jacques rendered
an immense service to the cause of virtue; but his age was too deeply
gangrened with abuses to understand the lofty lessons unfolded in
those two poems; it is right to add also that the philosopher was in
these works overmastered by the poet, and in leaving in the heart of
_Julie_ after her marriage some vestiges of her first love, he was led
astray by the attractiveness of a poetic situation, more touching
indeed, but less useful than the truth which he wished to display.
Nevertheless, if marriage in France is an unlimited contract to which
men agree with a silent understanding that they may thus give more
relish to passion, more curiosity, more mystery to love, more
fascination to women; if a woman is rather an ornament to the
drawing-room, a fashion-plate, a portmanteau, than a being whose
functions in the order politic are an essential part of the country's
prosperity and the nation's glory, a creature whose endeavors in life
vie in utility with those of men--I admit that all the above theory,
all these long considerations sink into nothingness at the prospect of
such an important destiny!----
But after having squeezed a pound of actualities in order to obtain
one drop of philosophy, having paid sufficient homage to that passion
for the historic, which is so dominant in our time, let us turn our
glance upon the manners of the present period.
Pages:
138
139
140
141
142
143
144
145
146
147
148
149
150
151
152
153
154
155
156
157
158
159
160
161
162