I remember a friend
of mine, James Maradick, once saying to me, "It's no use trying to keep
out of things. As soon as they want to put you in--you're in. The moment
you're born, you're done for."
It's just that spectacle of some poor innocent being suddenly caught
into some affair, against his will, without his knowledge, but to the
most serious alteration of his character and fortunes, that one watches
with a delight almost malicious--whether it be _The Woman in White, The
Wings of the Dove,_ or _The Roads_ that offer it us. Well, I had now to
face the fact that something of this kind had happened to myself.
I was drawn in--and I was glad. I luxuriated in my gladness, lying there
in my room under the wavering, uncertain light of two candles, hearing
the church bells clanging and echoing mysteriously beyond the wall. I
lay there with a consciousness of being on the very verge of some
adventure, with the assurance, too, that I was to be of use once more,
to play my part, to fling aside, thank God, that old cloak of apathetic
disappointment, of selfish betrayal, of cynical disbelief. Semyonov had
brought the old life back to me and I had shrunk from the impact of it;
but he had brought back to me, too, the presences of my absent friends
who, during these weary months, had been lost to me.
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