His inventions, so far as I saw anything of them, were innocent
and simple enough. It was the man himself rather than his inventions
that arrested the attention. About the time of Bohun's arrival upon the
scene it was a new kind of ink that he had discovered, and for many
weeks the Markovitch flat dripped ink from every pore. He had no
laboratory, no scientific materials, nor, I think, any profound
knowledge. The room where he worked was a small box-like place off the
living-room, a cheerless enough abode with a little high barred window
in it as in a prison-cell, cardboard-boxes piled high with feminine
garments, a sewing-machine, old dusty books, and a broken-down
perambulator occupying most of the space. I never could understand why
the perambulator was there, as the Markovitches had no children. Nicolai
Leontievitch sat at a table under the little window, and his favourite
position was to sit with the chair perched on one leg and so, rocking in
this insecure position, he brooded over his bottles and glasses and
trays. This room was so dark even in the middle of the day that he was
often compelled to use a lamp.
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