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Beers, Henry A., 1847-1926

"From Chaucer to Tennyson"


But when all has been said that can be said in disparagement or
qualification, _Paradise Lost_ remains the foremost of English poems and
the sublimest of all epics. Even in those parts where theology
encroaches most upon poetry, the diction, though often heavy, is never
languid. Milton's blank verse in itself is enough to bear up the most
prosaic theme, and so is his epic English, a style more massive and
splendid than Shakspere's, and comparable, like Tertullian's Latin, to a
river of molten gold. Of the countless single beauties that sow his page
Thick as autumnal leaves that strew the brooks
In Valombrosa,
there is no room to speak, nor of the astonishing fullness of substance
and multitude of thoughts which have caused the _Paradise Lost_ to be
called the book of universal knowledge. "The heat of Milton's mind,"
said Dr. Johnson, "might be said to sublimate his learning and throw off
into his work the spirit of science, unmingled with its grosser parts."
The truth of this remark is clearly seen upon a comparison of Milton's
description of the creation, for example, with corresponding passages in
Sylvester's _Divine Weeks and Works_ (translated from the Huguenot
poet, Du Bartas), which was, in some sense, his original.


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