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Twain, Mark, 1835-1910

"Following the Equator, Part 6"

To an accompaniment of
barbarous noises the actors stepped out one after another and began to
spin around with immense swiftness and vigor and violence, chanting the
while, and soon the whole troupe would be spinning and chanting and
raising the dust. They were performing an ancient and celebrated
historical play, and a Chinaman explained it to me in pidjin English as
it went along. The play was obscure enough without the explanation; with
the explanation added, it was (opake). As a drama this ancient
historical work of art was defective, I thought, but as a wild and
barbarous spectacle the representation was beyond criticism.
Far down the mountain we got out to look at a piece of remarkable
loop-engineering--a spiral where the road curves upon itself with such
abruptness that when the regular train came down and entered the loop, we
stood over it and saw the locomotive disappear under our bridge, then in
a few moments appear again, chasing its own tail; and we saw it gain on
it, overtake it, draw ahead past the rear cars, and run a race with that
end of the train. It was like a snake swallowing itself.


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