The Ganges front is the supreme show-place of Benares. Its tall bluffs
are solidly caked from water to summit, along a stretch of three miles,
with a splendid jumble of massive and picturesque masonry, a bewildering
and beautiful confusion of stone platforms, temples, stair-flights, rich
and stately palaces--nowhere a break, nowhere a glimpse of the bluff
itself; all the long face of it is compactly walled from sight by this
crammed perspective of platforms, soaring stairways, sculptured temples,
majestic palaces, softening away into the distances; and there is
movement, motion, human life everywhere, and brilliantly costumed
--streaming in rainbows up and down the lofty stairways, and massed in
metaphorical flower-gardens on the miles of great platforms at the
river's edge.
All this masonry, all this architecture represents piety. The palaces
were built by native princes whose homes, as a rule, are far from
Benares, but who go there from time to time to refresh their souls with
the sight and touch of the Ganges, the river of their idolatry. The
stairways are records of acts of piety; the crowd of costly little
temples are tokens of money spent by rich men for present credit and hope
of future reward.
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