The merit of any short story
production depends on many other elements as well--the value of the
structural element to the production as a whole depends first on the
selection of the particular sort of structural scheme best suited to
the story in hand, and secondly, on the way in which this is
_combined_ with the piece of writing to form a well-balanced whole.
Style is more difficult to imitate than structure, but on the other
hand _the origin of structural influence_ is more difficult to trace
than that of style. So while, in a general way, we feel that Poe's
influence on structure in the short story has been great, it is
difficult rather than obvious to trace particular instances. It is
felt in the advance of the general level of short story art. There is
nothing personal about structure--there is everything personal about
style. Poe's style is both too much his own and too superlatively good
to be successfully imitated--whom have we had who, even if he were a
master of structural effects, could be a second Poe? Looking at the
matter in another way, Poe's style is not his own at all.
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