Sarpedon emphasizes this with
its converse: There would be no need of daring and fighting, he says,
of "man-ennobling battle," if we could be for ever ageless and
deathless. That is the heroic age; any other would say, If only we could
not be killed, how pleasant to run what might have been risks! For the
hero, that would simply not be worth while. Does he find them pleasant,
then, just because they are risky? Not quite; that, again, is to detach
part of the meaning from the whole. If anywhere, we shall, perhaps, find
the whole meaning of Homer most clearly indicated in such words as those
given (without any enforcement) to Achilles and Thetis near the
beginning of the _Iliad_, as if to sound the pitch of Homer's poetry:
meter, hepi m hetekes ge minynthadion per heonta,
timen per moi hophellen Olympios engyalixai
Zeus hypsibremetes.[8]
* * * * *
timeson moi yion hos hokymorotatos hallon
heplet'.[9]
Minunthadion--hokymorotatos: those are the imporportant words;
key-words, they might be called. If we really understand these lines, if
we see in them what it is that Agamemnon's insult has deprived Achilles
of--the sign and acknowledgment of his fellows' admiration while he is
still living among them, the one thing which makes a hero's life worth
living, which enables him to enact his Hell--we shall scarcely complain
that the _Iliad_ is composed on a second-rate subject. The significance
of the poem is not in the incidents surrounding the "Achilleis"; the
whole significance is centred in the Wrath of Achilles, and thence made
to impregnate every part.
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