If we leave Homer out, and consider poetic greatness only (the
only important thing to consider), there is no "authentic" epic which
can stand against _Paradise Lost_ or the _Aeneid_. Then there is the
curious modern feeling--which is sometimes but dressed up by erroneous
aesthetic theory (the worship of a quite national "lyricism," for
instance) but which is really nothing but a sign of covert
barbarism--that lengthy poetic composition is somehow undesirable; and
Homer is thought to have had a better excuse for composing a long poem
than Milton.
But doubtless the real reason for the hard division of epic poetry into
two classes, and for the presumed inferiority of "literary" to
"authentic," lies in the application of that curiosity among false
ideas, the belief in a "folk-spirit." This notion that such a thing as a
"folk-spirit" can create art, and that the art which it does create must
be somehow better than other art, is, I suppose, the offspring of
democratic ideas in politics. The chief objection to it is that there
never has been and never can be anything in actuality corresponding to
the "folk-spirit" which this notion supposes. Poetry is the work of
poets, not of peoples or communities; artistic creation can never be
anything but the production of an individual mind. We may, if we like,
think that poetry would be more "natural" if it were composed by the
folk as the folk, and not by persons peculiarly endowed; and to think so
is doubtless agreeable to the notion that the folk is more important
than the individual.
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