It is, of course, true that many of the strong masters had deep faults
of character, but their faults always show in their work. It is true
that some could not govern their passions; if so, they died young, or
they painted ill when old. But the greater part of our misapprehension
in the whole matter is from our not having well known who the great
painters were, and taking delight in the petty skill that was bred in
the fumes of the taverns of the North, instead of theirs who breathed
empyreal air, sons of the morning, under the woods of Assisi and the
crags of Cadore.
It is true however also, as I have pointed out long ago, that the
strong masters fall into two great divisions, one leading simple and
natural lives, the other restrained in a Puritanism of the worship of
beauty; and these two manners of life you may recognize in a moment
by their work. Generally the naturalists are the strongest; but there
are two of the Puritans, whose work if I can succeed in making
clearly understandable to you during my three years[183] here, it is
all I need care to do. But of these two Puritans one I cannot name
to you, and the other I at present will not. One I cannot, for no one
knows his name, except the baptismal one, Bernard, or "dear little
Bernard"--Bernardino, called from his birthplace, (Luino, on the Lago
Maggiore,) Bernard of Luino.
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