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Ruskin, John, 1819-1900

"Selections From the Works of John Ruskin"

But, accurately speaking, no
good work whatever can be perfect, and _the demand for perfection is
always a sign of a misunderstanding of the ends of art_.
This for two reasons, both based on everlasting laws. The first, that
no great man ever stops working till he has reached his point of
failure: that is to say, his mind is always far in advance of his
powers of execution, and the latter will now and then give way in
trying to follow it; besides that he will always give to the inferior
portions of his work only such inferior attention as they require; and
according to his greatness he becomes so accustomed to the feeling of
dissatisfaction with the best he can do, that in moments of lassitude
or anger with himself he will not care though the beholder be
dissatisfied also. I believe there has only been one man who would not
acknowledge this necessity, and strove always to reach perfection,
Leonardo; the end of his vain effort being merely that he would take
ten years to a picture and leave it unfinished. And therefore, if we
are to have great men working at all, or less men doing their best, the
work will be imperfect, however beautiful. Of human work none but what
is bad can be perfect, in its own bad way.[161]
The second reason is, that imperfection is in some sort essential to
all that we know of life.


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